Wow did I have trouble with this question. I stared at it after a timed section for about 30 minutes trying to figure out where there was support for it.
I did choose (C) during timed practice because it sounded the most nuanced, but I'm still really uneasy about the reasoning for why the other answers are wrong. Really, this entire question I'm unsure about. Any help would be GREATLY appreciated. Thanks!
Q is asking what the author implies about artistic merit of fakes? Where can we find support for this in the passage? I thought L18-20, as an example: "No doubt many of the sculptures NOW EXHIBITED as 'Roman copies' were originally passed off as Greek."
I interpreted this line as saying, well the reason we're exhibiting these sculptures is because we must believe they have some artistic merit. But wait, they're "Roman copies?" They're not originals? But we're still exhibiting them, so that must mean we believe the fakes have some artistic merit apart from their originals.
(C) would some this up well: Regardless of how the "Roman copies" were produced, they may or may not have artistic merit independently from the originals of which they are copies. (how does that sound?)
A) Nothing in the passage suggests that the production of a fake will affect its artistic merit.
B) "Only if" is pretty extreme here, especially when there is no support for the statement in the passage. And the passage doesn't say anything about a fake succeeding in deception, only talks about the the motives of a creator intending to deceive (L1-3).
D) Accomplished artist? Hmm, don't see anything about that in the passage. We do know that if you're an accomplished artist like Michelangelo your work may be the object of imitators, but nothing about the merit of those imitations. (L31-36)
E) This one I had some trouble eliminating. However, there's actually nothing in the passage to suggest that the merit of a fake is dependent on the original work. It would seem like a logical interpretation of the passage; why imitate an original if this original doesn't have artistic merit? But this would not mean that the fake would automatically have merit as well. What if it's a bad imitation? Regardless, this line of interpretation would take you away from the passage. (Any help here?)